Excerpt: Propuesta que escapa de la mera consideración telefílmica por el trabajo de sus actores principales. Mucho metraje, mucho cliché, poco espacio para la sorpresa. Un descanso para Robert Downey Jr. entre tanto ajetreo Marvel.
Excerpt: Groaning beneath the weight of its desperate grandstanding for awards consideration, David Dobkins’ The Judge launches a continuous covey of clichés at you as it vacillates between middlebrow familial melodrama, murder mystery, and half-baked courtroom drama.
Excerpt: Time and again, the writers attempt sleight of hand – tossing out ideas in order to upend them with a different revelation – but the tactic doesn’t work and Dobkins’ direction of plot is ungainly.
Excerpt: A deliberately manufactured, self-conscious class act from beginning to end, this dysfunctional family drama has been cast like a Yankees’ World Series contention team, photographed by Steven Spielberg’s cinematographer and scored by a 12-time Oscar nominee. Director David Dobkin (“Wedding Crashers,” “The Change-Up”) is attempting something more ambitious here, and he keeps his ducks in a row, but “The Judge” relentlessly refuses to pass up any opportunity to remind the audience they’re watching a movie.
Excerpt: A slick, sturdily performed middlebrow melodrama that meanders a bit and overstays its welcome, “The Judge” is just fine. If nothing else, Robert Downey Jr. gives this overlong, schmaltzy material a shot in the arm with his no-bull charisma.
Excerpt: The Judge resembles those John Grisham thrillers that were popular in the 90s before the public came to the realization that he was basically telling the same story over and over. This is not a Grisham thriller, it’s actually better because it has more investment in the characters. Yes, it’s about a big criminal trial but that’s only a backdrop. It’s just as effective as a human drama.