Excerpt: Christopher Nolan’s “Tenet” is a sleek, mysterious clockwork which, like its title, flips in its middle and doubles back on itself, exposing its inner machinations. As The Protagonist, John David Washington imbues the director’s chilly aesthetic with humanizing warmth.
Excerpt: Christopher Nolan’s latest brain-bender is an entertaining if rather dense spy thriller, mixing the globe-hopping splendour of a Bond movie with Nolan’s puzzle-style plotting, dropping clues into each Imax-scaled scene.
Excerpt: Washington and Pattinson have palpable charisma, but this cold puzzle offers no incentive to solve it. Throw in damsel-in-distress crap, and both my geek sensibilities and my feminism are offended.
Excerpt: ‘Tenet’ sees director Christopher Nolan completely bend the knee to technical showmanship and entirely ignore the bread and butter of what makes films engaging: character. Though the mostly-practical VFX achievements make you wonder how he did this or that, there is no excuse for how actively not fun Tenet is.
Excerpt: I suspect that Nolan spent a decade-and-a-half or so on the idea for Tenet so he could have a reason to shoot action sequences in reverse. If that’s all you care about, then mission gloriously accomplished.