Reviews for this film from our members:

  • [New – 11/7] | Carson Lund @ In Review Online
    • Excerpt: The film’s most striking gambit is a move towards haunting visual poetry in its latter half; set to ominous drones and reverberating Cambodian pop songs from a bygone era, ghostly tracking shots through Phnom Penh pool halls and towards inanimate objects recall the more eccentric touches of Apichatpong Weerasethakul’s Syndromes and a Century.