Here are review links for this film submitted by our members:
- Rick Aragon @ Rick’s Texan Reviews
- Excerpt: If not for Florence Pugh, Don’t Worry Darling would be a total disaster.
- David “DC” Bolling @ DC’s Take
- Excerpt: Don’t Worry Darling is a frustrating psychological thriller that’s not only a missed opportunity but shouldn’t have been a sophomore slump for Wilde as a director.
- Travis Burgess @ The Sacred Wall
- Excerpt: Don’t Worry Darling’ manages to overcome its predictable script and untrained leading man thanks to Florence Pugh’s acting and Olivia Wilde’s direction
- Gregory Carlson @ southpawfilmworks.net
- Laura Clifford @ Reeling Reviews
- Excerpt: “Don’t Worry Darling” has too many strong elements to dismiss it, but its early pop and fizzle turns into flat champagne.
- Karl Delossantos @ Smash Cut
- Candice Frederick @ HuffPost
- Mark Hobin @ Fast Film Reviews
- Excerpt: If nothing else, this psychological thriller proves yet again why Florence Pugh is one of our finest actresses.
- [New] | Mark Leeper @ Mark Leeper’s Reviews
- Excerpt: SPOILERS: This is both a remake of THE STEPFORD WIVES without sufficient imagination to set it above other versions of the story, and a re-imagining of it that relies on a fair number of current tropes to carry it. In both aspects, it needed to have more ideas.
- Sarah Marrs @ LaineyGossip.com
- Excerpt: Patriarchy bad, says Don’t Worry Darling. But then, why do so many women remain enthralled by its promise? The worried darlings have no answer.
- Harrison Martin @ Flixfrog
- Excerpt: While the plot is predictable and the story reminiscent of an episode of Black Mirror, Don’t Worry Darling is a solid second directorial effort from Wilde.
- Brent McKnight @ The Last Thing I See
- Excerpt: At its best, this modern iteration of a Stepford Wives-style dystopia is creepy and unsettling in an uncanny valley kind of way, even if it is a bit up its own ass and so, so assured of its own importance.
- Jared Mobarak @ Hey, have you seen …?
- Excerpt: The script’s structure (and Wilde’s direction) is quite good. I just wish it was in service of having something more to say since its abruptness ultimately prevents it from having to say anything.
