Skip to content

Online Film Critics Society

The World's Oldest Organization of Online Film Critics

Primary Menu
  • HOME
  • MEMBERS
  • REVIEWS
    • 2025 Reviews
    • 2024 Reviews
    • 2023 Reviews
    • 2022 Reviews
    • 2021 Reviews
    • 2020 Reviews
    • 2019 Reviews
    • 2018 Reviews
    • 2017 Reviews
    • 2016 Reviews
    • 2015 Reviews
    • 2014 Reviews
    • 2013 Reviews
    • 2012 Reviews
    • 2011 Reviews
  • AWARDS
    • 2025 Awards (29th Annual)
    • 2024 Awards (28th Annual)
    • 2023 Awards (27th Annual)
    • 2022 Awards (26th Annual)
    • 2021 Awards (25th Annual)
    • 2020 Awards (24th Annual)
    • 2019 Awards (23rd Annual)
    • 2018 Awards (22nd Annual)
    • 2017 Awards (21st Annual)
    • 2016 Awards (20th Annual)
    • 2015 Awards (19th Annual)
    • 2014 Awards (18th Annual)
    • 2013 Awards (17th Annual)
    • 2012 Awards (16th Annual)
    • 2011 Awards (15th Annual)
    • 2010 Awards (14th Annual)
    • 2009 Awards (13th Annual)
    • 2008 Awards (12th Annual)
    • 2007 Awards (11th Annual)
    • 2006 Awards (10th Annual)
    • 2005 Awards (9th Annual)
    • 2004 Awards (8th Annual)
    • 2003 Awards (7th Annual)
    • 2002 Awards (6th Annual)
    • 2001 Awards (5th Annual)
    • 2000 Awards (4th Annual)
    • 1999 Awards (3rd Annual)
    • 1998 Awards (2nd Annual)
    • 1997 Awards (1st Annual)
  • MORE LINKS
    • This Week
    • Classics & DVD
    • Festival Coverage
    • Video Essays & Reviews
    • Awards Coverage
    • Top Ten Lists
    • Television Reviews
    • Short Film Reviews
    • Other Articles
  • BECOME A MEMBER?
  • CONTACT US
  • ABOUT US
    • Our Bylaws
    • OFCS Awards Rules
    • History
  • Home
  • Member Reviews
  • 2018 Films
  • Reviews: Annihilation (2018)
  • 2018 Films

Reviews: Annihilation (2018)

Governing Committee September 1, 2018 2 minutes read

Share this:

  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Tumblr (Opens in new window) Tumblr
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Share on Reddit (Opens in new window) Reddit
  • Email a link to a friend (Opens in new window) Email
annihilation

Here are review links for this film submitted by our members:

  • [New] | Marco Albanese @ Stanze di Cinema [Italian]
    • Excerpt: un film come Annientamento avrebbe meritato l’esperienza immersiva e totalizzante della sala
  • David Bax @ Battleship Pretension
    • Excerpt: Garland leaves nothing unconsidered here; even the opening, in which the meteor hurtles through our atmosphere, turns out not to be just a cool shot but a visual foreshadow of the climax.
  • Francisco Cangiano @ CineXpress [Spanish]
  • Matt Donato @ Flickering Myth
    • Excerpt: Alex Garland’s Annihilation is a puff from one of the year’s most cataclysmically up-tempo strains of synthetic sci-fi devastation.
  • M. Enois Duarte @ High-DefDigest.com
    • Excerpt: Lush with a visual beauty and sense of wonder that hypnotizes the audience, Alex Garland’s Annihilation is a thought-provoking sci-fi drama exploring our innate self-destructive behavior in light of humanity’s possible extinction.
  • James Jay Edwards @ FilmFracture
  • Mark Hobin @ Fast Film Reviews
  • Charlie Juhl @ Citizen Charlie
  • Mark Leeper @ Mark Leeper
    • Excerpt: This is one of those films that will require six or so viewings before it starts to make sense.
  • Wesley Lovell @ Cinema Sight
  • Brent McKnight @ The Last Thing I See
    • Excerpt: More strange, cryptic, cerebral science fiction that takes multiple encounters to fully unwrap, please!
  • Simon Miraudo @ Student Edge
  • Jared Mobarak @ BuffaloVibe
    • Excerpt: Annihilation won’t be for everyone, but those willing to give it a chance will be treated with sci-fi they can sink their teeth into a la Arrival or Under the Skin. Here’s hoping a three-hour cut exists to experience the intricacies at work even further beyond their attractiveness as plot devices.
  • Darren Mooney @ the m0vie blog
  • C.H. Newell @ Father Son Holy Gore
    • Excerpt: Garland continually proves his worth as an artist capable of envisioning new ways the future can scare us, whether it be his perspectives on the undead, synthetic humans, or the violence of evolution.
  • Kristy Puchko @ Riot Material
    • Excerpt: Portman is painfully restrained in the lead role, looking upon biological impossibilities and mutilated corpses with the same distant curiosity.
  • Márcio Sallem @ Cinema com Crítica [Portuguese]
    • Excerpt: Emprega o título não como reflexo apocalíptico, mas com uma ênfase existencial
  • Gregory J. Smalley @ 366 Weird Movies
    • Excerpt: …the flowing, fractal climax is well worth the wait for connoisseurs of acid trip visuals.

About the Author

Governing Committee

Administrator

Visit Website View All Posts

Post navigation

Previous: Reviews: American Animals (2018)
Next: Reviews: Hearts Beat Loud (2018)

Related Stories

Border-Header
  • 2018 Films

Reviews: Border (2018)

Governing Committee July 18, 2019
Climax-Header
  • 2018 Films

Reviews: Climax (2018)

Governing Committee April 11, 2019
Private_War-Header
  • 2018 Films

Reviews: A Private War (2018)

Governing Committee March 14, 2019

Upcoming Awards Dates

Screening Deadline:
Dec. 31, 2025
Noms Announced:
Jan. 12, 2026
Winners Announced:
Jan. 26, 2026

Log in

Categories

You may have missed

Undertone-Weekly
  • This Week at the Movies

This Week at the Movies (Mar. 13, 2026)

Governing Committee March 13, 2026 0
Project_Hail_Mary-Header
  • 2026 Films

Reviews: Project Hail Mary (2026)

Governing Committee March 12, 2026
Undertone-Header
  • 2026 Films

Reviews: Undertone (2026)

Governing Committee March 12, 2026
Arsenic_and_Old_Lace-Weekly
  • Classics & Other Film Reviews

Film Reviews: Classics & More (Mar. 10, 2026)

Governing Committee March 10, 2026 0
Copyright © All rights reserved. | MoreNews by AF themes.