Skip to content

Online Film Critics Society

The World's Oldest Organization of Online Film Critics

Primary Menu
  • HOME
  • MEMBERS
  • REVIEWS
    • 2025 Reviews
    • 2024 Reviews
    • 2023 Reviews
    • 2022 Reviews
    • 2021 Reviews
    • 2020 Reviews
    • 2019 Reviews
    • 2018 Reviews
    • 2017 Reviews
    • 2016 Reviews
    • 2015 Reviews
    • 2014 Reviews
    • 2013 Reviews
    • 2012 Reviews
    • 2011 Reviews
  • AWARDS
    • 2025 Awards (29th Annual)
    • 2024 Awards (28th Annual)
    • 2023 Awards (27th Annual)
    • 2022 Awards (26th Annual)
    • 2021 Awards (25th Annual)
    • 2020 Awards (24th Annual)
    • 2019 Awards (23rd Annual)
    • 2018 Awards (22nd Annual)
    • 2017 Awards (21st Annual)
    • 2016 Awards (20th Annual)
    • 2015 Awards (19th Annual)
    • 2014 Awards (18th Annual)
    • 2013 Awards (17th Annual)
    • 2012 Awards (16th Annual)
    • 2011 Awards (15th Annual)
    • 2010 Awards (14th Annual)
    • 2009 Awards (13th Annual)
    • 2008 Awards (12th Annual)
    • 2007 Awards (11th Annual)
    • 2006 Awards (10th Annual)
    • 2005 Awards (9th Annual)
    • 2004 Awards (8th Annual)
    • 2003 Awards (7th Annual)
    • 2002 Awards (6th Annual)
    • 2001 Awards (5th Annual)
    • 2000 Awards (4th Annual)
    • 1999 Awards (3rd Annual)
    • 1998 Awards (2nd Annual)
    • 1997 Awards (1st Annual)
  • MORE LINKS
    • This Week
    • Classics & DVD
    • Festival Coverage
    • Video Essays & Reviews
    • Awards Coverage
    • Top Ten Lists
    • Television Reviews
    • Short Film Reviews
    • Other Articles
  • BECOME A MEMBER?
  • CONTACT US
  • ABOUT US
    • Our Bylaws
    • OFCS Awards Rules
    • History
  • Home
  • Member Reviews
  • 2022 Films
  • Reviews: Everything Everywhere All at Once (2022)
  • 2022 Films

Reviews: Everything Everywhere All at Once (2022)

Governing Committee April 7, 2022 4 minutes read

Share this:

  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Share on Tumblr (Opens in new window) Tumblr
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Share on Reddit (Opens in new window) Reddit
  • Email a link to a friend (Opens in new window) Email
Everything_Everywhere_All_at_Once-Header

Here are review links for this film submitted by our members:

  • Rick Aragon @ Rick’s Texan Reviews
    • Excerpt: A film that works on two levels, Everything Everywhere All at Once is a wild, frenetic ride that while perhaps long is still funny, action-packed and heartwarming.
  • David “DC” Bolling @ DC’s Take
    • Excerpt: Everything Everywhere All at Once is one bizarre experience from start to finish, and it weirdly delighted my soul. The Daniels goes all out to deliver a creative and original multiverse adventure on par with the enormous blockbusters we’re getting today.
  • Travis Burgess @ The Sacred Wall
  • Gregory Carlson @ southpawfilmworks.net
  • Laura Clifford @ Reeling Reviews
    • Excerpt: Buried beneath the cacophony of its sci-fi silliness “Everything Everywhere All at Once” has a message about ignoring life’s distractions in favor of what is truly important. It succeeds as well as it does because it rests on Yeoh’s classy shoulders
  • Bavner Donaldo @ Cinejour [Indonesian]
  • Mark Hobin @ Fast Film Reviews
    • Excerpt: Mere words cannot do justice to this movie. Nevertheless, I will try.
  • Wesley Lovell @ Cinema Sight
  • Sarah Marrs @ LaineyGossip.com
    • Excerpt: If it sounds like a fever dream, it plays like one, too, but at its heart, Everything Everywhere All At Once is a heartfelt story about forgiveness and family, featuring a bravura performance from Michelle Yeoh.
  • Harrison Martin @ Flixfrog
    • Excerpt: Everything Everywhere All at Once is interesting and occasionally enjoyable but the film itself is extremely unfocused and a bit too long. Although, I have to admit, the Raccatouille payoff was hilarious!
  • Mike McGranaghan @ The Aisle Seat
    • Excerpt: I love movies that write their own rules and take big chances. Everything Everywhere All at Once does just that.
  • Jared Mobarak @ JaredMobarak.com
    • Excerpt: Everything Everywhere All at Once may find itself flirting with the potential for a happy ending, but it aspires and succeeds in ensuring the journey is paved in authentic and universal suffering.
  • Eddie Pasa @ DC Filmdom
  • Diego Salgado @ SoFilm [Spanish]
  • Marcio Sallem @ Cinema com Critica [Portuguese]
    • Excerpt: “É ridículo, mas faz sentido”, explica o Alfa Waymond Wang para Evelyn e para o espectador quando tenta racionalizar qual o conceito central do roteiro dos Daniels, Daniel Kwan e Daniel Scheinert, em que cada decisão, por menor que pareça ser, provoca uma ramificação dentro do multiverso. A sensação é de que, mais e mais, o cinema fantástico deve encontrar um ponto de contato com o mundo real (ou a “verdade objetiva” de que trata Jobu Topaki), pois só a fantasia não basta ao espectador ávido em procurar explicações onde não deveria precisar procurá-las. O filme sensação do semestre, Tudo em Todo Lugar ao Mesmo Tempo, em vez do verossímil, adota o absurdo, ridículo e surreal como as alternativas para discutir o que de fato deve ser explicado e faz sentido: as relações familiares modernas.
  • Gregory J. Smalley @ 366 Weird Movies
    • Excerpt: In the end, this impressive feature comes pretty close to delivering Everything, with bizarre and imaginative conceits delivered at a hyper pace that does make it sometimes seem like they’re happening All at Once… recommended for everyone everywhere as soon as you can.
  • Josh Thayer (formerly Taylor) @ The Forgetful Film Critic
    • Excerpt: Everything Everywhere All at Once is a movie that must be seen to be believed. Daniels have crafted a triumphantly cinematic work of art. It’s a soaring ode to familial bonds, empathy, and accepting those you love for who they are.
  • Ed Travis @ Cinapse
  • [New] | James Wegg @ JWR
    • Excerpt: Laundry, taxes and life
  • Andrew Wyatt @ The Lens
  • Sebastian Zavala @ MeGustaElCine.com [Spanish]
    • Excerpt: It makes good use of the idea of a multiverse, showing us the different possibilities of its protagonists, and confidently developing a narrative centred on the relationship between a mother and daughter, and a wife and husband.

About the Author

Governing Committee

Administrator

Visit Website View All Posts

Post navigation

Previous: Reviews: Sonic the Hedgehog 2 (2022)
Next: Reviews: Alice (2022)

Related Stories

Nanny-Header
  • 2022 Films

Reviews: Nanny (2022)

Governing Committee June 22, 2023
Son-Header
  • 2022 Films

Reviews: The Son (2022)

Governing Committee April 13, 2023
Quiet_Girl-Header
  • 2022 Films

Reviews: The Quiet Girl (2022)

Governing Committee March 16, 2023

Upcoming Awards Dates

Screening Deadline:
Dec. 31, 2025
Noms Announced:
Jan. 12, 2026
Winners Announced:
Jan. 26, 2026

Log in

Categories

You may have missed

Dreams-Header
  • 2026 Films

Reviews: Dreams (2026)

Governing Committee March 5, 2026
Bride-Header
  • 2026 Films

Reviews: The Bride! (2026)

Governing Committee March 5, 2026
Hoppers-Header
  • 2026 Films

Reviews: Hoppers (2026)

Governing Committee March 5, 2026
Scarlet_Empress-Weekly
  • Classics & Other Film Reviews

Film Reviews: Classics & More (Mar. 3, 2026)

Governing Committee March 3, 2026 0
Copyright © All rights reserved. | MoreNews by AF themes.