Category: Member Reviews (Page 2 of 208)

Reviews: Hail, Caesar! (2016)

hail_caesarHere are review links for this film submitted by our members:

  • [New – 2/25/16] | Marco Albanese @ Stanze di Cinema [Italian]
    • Excerpt: E allora, ancora una volta, quella che sembrava solo una commedia scatenata e nostalgica, si rivela qualcosa di più: un conte philosophique, che racconta l’importanza del capitale ben utilizzato e la costruzione di un’identità.
  • [New – 2/25/16] | José Arce @ [Spanish]
    • Excerpt: Los hermanos Coen proponen un thriller negro y cómico ambientado en un mundo loco, trágico y estupendamente absurdo. Comercialmente se sitúa en un lado bastante denso de su filmografía para el gran público, pero es perfectamente recomendable.
  • Jason Bailey @ Flavorwire
    • Excerpt: It is, all in all, mid-level Coens. But as so many others have noted, mid-level Coens still tops most other filmmakers at their peak.
  • Nicholas Bell @ Ioncinema
  • Tim Brayton @ Antagony & Ecstasy
  • Frederic and Mary Ann Brussat @ Spirituality & Practice
    • Excerpt: A light-hearted dramedy about a good man working in Hollywood.
  • Francisco Cangiano @ CineXpress [Spanish]
    • Excerpt: Hail, Caesar! es una graciosa y divertida carta de amor al excéntrico y mimado Hollywood de los años 50s. Desde las filmaciones de películas clásicas, hasta números musicales llenos de magia y esplendor, los hermanos Coen sin duda logran contagiarte con su amor por dicha época de oro del cine. Aunque lejos de ser de sus mejores ofertas, Hail, Caesar! termina siendo un agradable viaje al pasado, gracias a excelentes actuaciones, una hermosa fotografía y una historia serpentina respaldada por bastante humor sano.
  • Bill Clark @ From The Balcony
    • Excerpt: With Hail, Caesar!, it’s baffling to see the Coens deliver something with next to nothing at stake and zero involvement from a character perspective.
  • Laura Clifford @ Reeling Reviews
    • Excerpt: Who but the Coen brothers could make a Christ allegory with the Imperial Garden Chinese restaurant as the desert where Jesus is tempted?
  • Blake Crane @ Film Pulse
    • Excerpt: There’s something for every brand of Coen brothers fan in Hail, Caesar!
  • Jim Dixon @
    • Excerpt: The Coen Brothers’ latest outing, “Hail, Caesar!,” basically takes the same subject matter as the Oscar®-nominated “Trumbo” and turns it inside out while on acid. In what would otherwise be just a goofy homage to Hollywood in the fifties, here the Communist screenwriters really are collaborating with the Soviet Union to turn America red. This should be offensive as hell, but “Hail, Caesar!” is so deftly executed it turns what could have been the second coming of John Wayne’s Cold War propaganda soap opera “Big Jim McLain” into a satire of right wing paranoia.
  • Mark Dujsik @ Mark Reviews Movies
    • Excerpt: Hail, Caesar! is an episodic romp, filled with unabashed adoration for the feats, follies, and foibles of Hollywood.
  • Sarah Gopaul @ Digital Journal
    • Excerpt: The Coen brothers’ latest picture, ‘Hail, Caesar!’, is a silly tribute to traditional Hollywood starring all the usual suspects with a few fresh additions.
  • Mark Hobin @ Fast Film Reviews
    • Excerpt: It’s not the worst Coen brothers picture, but it’s close.
  • Courtney Howard @
    • Excerpt: Delightfully bonkers, it’s exuberant, entertaining and enjoyable.
  • Allyson Johnson @
  • Charlie Juhl @ Citizen Charlie
    • Excerpt: Rather than mock this era of studio primacy, the Coens celebrate it; they lovingly pay homage to it, even though they cloak the honor in comedy, satire, and wit. Hail, Caesar! is a refreshing and creative return to classic Coen Brothers brainy comedy; the kind they douse with clever, cheeky one-liners.
  • Steve Katz @ The Alpha Primitive
    • Excerpt: There is more to Hail, Caesar! than simply a loving look of the Hollywood of a bygone era, but that vitality allows it to glide over any of its bumps in the road. It is difficult not to leave the theater wishing you had gotten a tad more, but the reason we want more is rooted in the quality of what the Coens have given us.
  • Jeremy Kibler @ The Artful Critic
    • Excerpt: It’s more lark than full meal, but there is no denying that this is one of the Coens’ most plainly enjoyable and could probably end up being their most misunderstood and divisive.
  • Oktay Kozak @ The Oregon Herald
  • Kristin Dreyer Kramer @
  • Benjamin Kramer @ The Voracious Filmgoer
  • Kristen Lopez @ Awards Circuit
  • Glenn Lovell @
    • Excerpt: Review … obviously meant as a homage to the great Preston Sturges, the Coens’ latest disappoints; it’s a disjointed, surprisingly dour succession of double entendres, in-jokes, backlot vignettes …
  • Mike McGranaghan @ The Aisle Seat
    • Excerpt: If you love movies from the ’40s and ’50s, you’ll see the affection buried within the Coens’ often uproarious parody of the on- and off-screen cinematic world at that time.
  • Brent McKnight @ The Last Thing I See
    • Excerpt: Hail, Caesar! may not go down as one of the best Coen Brothers movie, but even that is still better than damn near every other offering out there.
  • [New – 2/25/16] | Simon Miraudo @ Student Edge
  • Jared Mobarak @ BuffaloVibe
    • Excerpt: I’d totally watch it again and bask in its sketch comedy skit nature, but it could have been so much more. Instead it’s a fluff piece with a ton of memorable parts that ultimately add up to an underwhelming whole.
  • [New – 2/25/16] | Darren Mooney @ the m0vie blog
    • Excerpt: Hail to the Chief!
  • Pat Mullen @ Cinemablographer
    • Excerpt: Filmmakers achieve a rare level of freedom and anonymity when they’re as consistently good as the Coens are, and their latest film Hail, Caesar! is one wacky comedy that throws pie all over Tinseltown’s face.
  • Kristy Puchko @ Comic Book Resources
    • Excerpt: It’s intriguing that the Coen brothers are exploring their own relationship with Hollywood and moviemaking through this zany comedy. That alone makes it worth a rewatch.
  • Jerry Roberts @ Armchair Cinema
    • Excerpt: It’s not their best film, but I’m happy that I saw it. It’s a giddy, colorful and sublimely goofy confection, a trip through Hollywood’s Golden Age and a heightened vision of what that era was all about. The brothers establish their story not with a singular narrative but with a structure that feels more like a series of short stories merged together with a common theme.
  • Frank Swietek @ One Guys Opinion
    • Excerpt: Impresses more as a fitfully engaging exercise than a fully realized vision. Among the collaborations of the Coens and Clooney, this falls closer to ‘Intolerable Cruelty’ than to ‘O Brother, Where Art Thou?’ But to render unto ‘Caesar’ its due, the movie does deliver sporadic amusement and a few absolutely spectacular sequences.
  • Betty Jo Tucker @ ReelTalk Movie Reviews
    • Excerpt: All of the watchable performances make this uneven Coen Brothers movie worth seeing.
  • Ron Wilkinson @ Monsters and Critics
    • Excerpt: This ensemble comedy may be much ado about nothing but it is never less than thoroughly entertaining.
  • Andrew Wyatt @ St. Louis Magazine
    • Excerpt: The film slowly reveals more complex political and spiritual currents, which wriggle through the fizzy period dialog like shrewd serpents.

Reviews: Pride and Prejudice and Zombies (2016)

pride_and_prejudice_and_zombiesHere are review links for this film submitted by our members:

Reviews: Boy and the World (2015)

boy_and_the_worldHere are review links for this film submitted by our members:

  • Frederic and Mary Ann Brussat @ Spirituality & Practice
    • Excerpt: An edifying and out-of-the-box animated feature from Brazil that charts the quest of a boy to find his father.
  • Sarah Gopaul @ Digital Journal
    • Excerpt: ‘Boy and the World’ is this year’s surprise animated Oscar nominee, but it more than earns its spot with a unique style and captivating story.
  • Carson Lund @ Slant Magazine
    • Excerpt: One wonders how receptive young audiences should be to a film that puts its storytelling secondary to its message-making. Bubbly as Abreu’s aesthetics are…his deathly pale, black-hole-eyed human figurines, almost all voiceless, are just interchangeable representations of contemporary existential woes.
  • Jared Mobarak @ Jared Mobarak Reviews
    • Excerpt: The whole is just as alive as the music, our toes tapping and hearts racing in hopes of a well-earned reunion. And even though the end proves bittersweet, it’s a tonally perfect conclusion to a beautifully complex dance.
  • Daniel Schindel @ Movie Mezzanine
  • [New – 2/12/16] | Frank Swietek @ One Guys Opinion
    • Excerpt: Even those who find fault with its core message will have to admit that “Boy and the World” is a visually dazzling experience, although it might appeal more to adult connoisseurs of animation technique than to kids.

Reviews: Theeb (2015)

theebHere are review links for this film submitted by our members:

  • [New – 2/4/16] | Frederic and Mary Ann Brussat @ Spirituality & Practice
    • Excerpt: An intense coming-of-age and survival tale set in the desert that is both awesome and harrowing.
  • [New – 12/3/15] | Laura Clifford @ Reeling Reviews
    • Excerpt: Much is foretold by Thaler’s use of light and space, Salameh Al-Sweilhiyeen disappearing into the landscape not once, but twice, rock formations forming passages into the unknown.
  • [New – 10/26/15] | James Jay Edwards @ FilmFracture
  • [New – 11/12/15] | Jared Mobarak @ Jared Mobarak Reviews
    • Excerpt: He must find that strength despite the harrowing circumstances he finds himself within—a confidence to be skeptical of his enemies while keeping them close to learn their goals. Plot is soon thrown out the window as the film changes focus to the unnatural evolution of an innocent thrust into a life or death situation teetering on abject destruction.
  • [New – 11/5/15] | Courtney Small @ Cinema Axis

Reviews: Dirty Grandpa (2016)

dirty_grandpaHere are review links for this film submitted by our members:

Reviews: Fifty Shades of Black (2016)

fifty_shades_of_blackHere are review links for this film submitted by our members:

  • [New – 1/29/16] | Brent McKnight @ Cinema Blend
    • Excerpt: At best, it’s dull and boring. At worst, it just feels mean-spirited, hateful, and so much lower than the lowest-common denominator.
  • [New – 1/28/16] | Jason Pirodsky @
    • Excerpt: It’s also hard to believe that this is the kind of comedy we get in 2016, in the midst of #OscarsSoWhite. This is a predominantly white movie that gets derives its comedy from having its black leads parade around like idiots onscreen.

Reviews: The Finest Hours (2016)

finest_hoursHere are review links for this film submitted by our members:

  • Francisco Cangiano @ CineXpress [Spanish]
    • Excerpt: The Finest Hours es un filme entretenido que en momentos puede inspirar. Fallos como la dependencia en una subtrama innecesaria y de la manera en que se acaramelan los acontecimientos, sin duda impiden de que la película sea mucho mejor de lo que es. Ahora, debido a que los aspectos buenos superan los malos, The Finest Hours logra salir a flote, entregándonos una historia que mínimo, merece respeto.
  • Kevin Carr @ Fat Guys at the Movies
    • Excerpt: Even with some slow land-lubber moments, “The Finest Hours” is an effective and exciting movie filled with some strong performances. In the end, it’s nice to see a film that champions the Coast Guard, which to too many civilians is the forgotten branch of the U.S. armed forces.
  • Laura Clifford @ Reeling Reviews
    • Excerpt: Pine’s understated playing and Affleck’s solemn calm suit the time [period], Grainger’s unconventional forthrightness adding spark.
  • Andy Crump @ A Constant Visual Feast
    • Excerpt: The Finest Hours is exactly what it sets out to be; it’s a film in which what you see is what you get and nothing more.
  • Mark Dujsik @ Mark Reviews Movies
    • Excerpt: In a way, the movie’s driving dramatic force is not conflict. It’s nobility.
  • Hugo Gomes @ Cinematograficamente Falando … [Portuguese]
  • Sarah Gopaul @ Digital Journal
    • Excerpt: ‘The Finest Hours’ effectively chronicles a harrowing rescue in a deadly storm, though its dangers must compete with the hindrances of 3D technology.
  • Susan Granger @
    • Excerpt: Sturdy and seaworthy, it’s another old-fashioned profile of courage…
  • Vadym Grygoriev @ [Ukrainian]
  • Courtney Howard @
    • Excerpt: There’s a great amount of genuine suspense that keeps this ship afloat even when a few strong waves threaten to take it down.
  • Charlie Juhl @ Citizen Charlie
    • Excerpt: Aquatic underdogs confront rough seas, uninformed superiors, and suspect Boston accents. Another Disney “based on a true story” film as forgettable as the last half dozen.
  • Jeremy Kibler @ The Artful Critic
    • Excerpt: It’s not that it is a bad film but any memory of it will be blown away in less than a month.
  • Kristin Dreyer Kramer @
  • Kristen Lopez @ Cinema Sentries
  • [New – 2/25/16] | Dan Lybarger @
    • Excerpt: While the storm is replicated with reasonable finesse, the people who lived through it are a lot less carefully rendered.
  • Brent McKnight @ The Last Thing I See
    • Excerpt: When ‘The Finest Hours’ focuses on the daring real-life Coast Guard rescue off of New England in the 1950s, it’s not bad. The problem is whenever the movie tries to do anything else.
  • João Pinto @ Portal Cinema [Portuguese]
    • Excerpt: The first flop of 2016!
  • Jason Pirodsky @
    • Excerpt: Well-cast, well-produced, and seemingly faithful to the real-life operation it depicts, The Finest Hours is a rousing, if minor, success. If the only real negative here is that the film is too old-fashioned to compete with the kinetic Michael Bay actioners of today, well, that’s just fine by me.
  • Frank Swietek @ One Guys Opinion
    • Excerpt: Set in 1952, and apart from the CGI it might have been made then, given the surfeit of clichés reflective of pictures from the Eisenhower era… like its nondescript title, it’s underwhelming despite the size of those billowing CGI waves.
  • Ron Wilkinson @ Monsters and Critics
    • Excerpt: A spectacular production. The best shipwreck and high seas adventure since Titanic.

Reviews: Ip Man 3 (2016)

ip_manHere are review links for this film submitted by our members:

  • [New – 1/22/16] | Robert Cashill @
  • [New – 1/22/16] | Kenji Fujishima @ Paste Magazine
  • [New – 1/22/16] | Charlie Juhl @ Citizen Charlie
    • Excerpt: Ip Man 3 continues the pattern of interrupting what could be thought-provoking marital arts drama with the absurd by casting Mike Tyson as the behind the scenes villain who is even outacted by Ip Man’s wooden kung-fu practice contraption.
  • [New – 1/7/16] | James Marsh @ Screen International
    • Excerpt: Donnie Yen and director Wilson Yip reunite for a third round of wing chun-related action, this time detailing the grandmaster Ip Man’s clash with a corrupt American property tycoon played by Mike Tyson, alongside a title challenge from a rival master (Max Zhang Jin). Veering away from the series’ breast-beating jingoism, Ip Man 3 trades the crowd-pleasing intensity of its predecessors for a more introspective portrait of its central character.
  • [New – 1/22/16] | Peter Nellhaus @ Coffee, Coffee and more Coffee
    • Excerpt: There’s a kind of grace in Yen’s movements that makes me think of Gene Kelly.
  • [New – 1/28/16] | Eddie Pasa @ DC Filmdom
    • Excerpt: Donnie Yen brings his “Ip Man” series to a thrilling close with a fairly even film which withstands the stunt casting of Mike Tyson.

Reviews: Kung Fu Panda 3 (2016)

kung_fu_pandaHere are review links for this film submitted by our members:

Reviews: Mojave (2016)

mojaveHere are review links for this film submitted by our members:

  • Kevin Carr @ Fat Guys at the Movies
    • Excerpt: It’s worth a shot for anyone who wants a different take on either an insider Hollywood film or a serial killer cat-and-mouse game.
  • Laura Clifford @ Reeling Reviews
    • Excerpt: It’s difficult to know just how serious writer/director William Monahan (“London Boulevard,” writer, “The Departed”) is with this heavily symbolic cat and mouse game that wears its existensialism on its sleeve, but the end result is a hoot.
  • Mark Dujsik @ Mark Reviews Movies
    • Excerpt: Mojave is a movie about a screenwriter who comes to realize he has no control, and the movie also serves as an example of what it’s about.
  • [New – 2/12/16] | James Jay Edwards @ FilmFracture
  • [New – 2/11/16] | Sarah Gopaul @ Digital Journal
    • Excerpt: ‘Mojave’ is a dark thriller that pits two men with inflated egos against each other in a deadly game of wit and provocation.
  • Jeremy Kibler @ The Artful Critic
    • Excerpt: Like a serious, more violent Road Runner & Coyote cartoon, “Mojave” is a wannabe thinking man’s thriller that adds up to nil.
  • Daniel Lackey @ The Nightmare Gallery
    • Excerpt: A dull slog masquerading as a crime thriller, saved only by Oscar Isaac’s performance.
  • Kristen Lopez @ Cinema Sentries
  • Jared Mobarak @ Jared Mobarak Reviews
    • Excerpt: The opening prepares us for an arduous journey of revenge and one-upmanship where two men are fiercely driven to destroy the other rather than survive themselves. Instead it’s a tonally out there character study as divisive as The Counselor and almost as oddly eccentric.
  • Ron Wilkinson @ Monsters and Critics
    • Excerpt: Although too predictable, this stalker horror tale carries on with at least partial success.

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