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 2/5 |
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(1955) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(1958) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(2007) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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 3.5/5 |
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(1927) |
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"Not exactly a horror film, at least by any strict definition. But it is a great deal of fun."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(2008) |
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"Serves as proof that Allen's heart isn't in it anymore."
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(1933) |
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"Surprising for something so mean-spirited to have come so early in the Dream Factory's saga of self-loathing, and even more surprising because it seems so heartfelt."
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(1919) |
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"One of the screen's greatest symbioses of performance and photography."
[movie review] |
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Goatdog's Movies |
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 3.5/5 |
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(1919) |
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"It's generally a smooth, arch, enjoyable romp."
[movie review] |
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Goatdog's Movies |
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 3.5/5 |
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(1921) |
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"Wears its Expressionist heritage in a fascinating way."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(1905/1912) |
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"But aside from the historical value ... there's not a lot here to keep one's attention"
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1925) |
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"A valuable, moving portrait of an immigrant community that tends to be ignored by mainstream films"
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(2008) |
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"A feature-length elaboration on its own hilarious trailer."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1919-1920) |
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"[About I Don't Want...]: How long would it be before a mainstream Hollywood movie showed the same worldliness about sex."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1927) |
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"The most interesting thing about the film is the elaborate way it interacts with and stands outside the cinema."
[movie review] |
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Goatdog's Movies |
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 3.5/5 |
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(1924) |
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"Has so much momentum and inarguable internal logic that it drags you along, laughing helplessly."
[movie review] |
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Goatdog's Movies |
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 5/5 |
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(1928) |
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"The film denies us the safe distance between viewer and viewed, and it does this so effectively that its horrors are occurring all around us."
[movie review] |
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Goatdog's Movies |
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 4.5/5 |
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(1959) |
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"Deceptively simple, heartfelt."
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(1921) |
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"[About After Death] Bauer's filmmaking skills exploded in the two years after his first feature."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1973) |
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"The filmmakers [realize] that they're working within a genre with firmly established conventions are but able to carve out a little niche for themselves."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(2008) |
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"Overall, it's an enjoyable sequel, although not up to the admittedly high--heh--standards of the first installment."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(1983) |
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"The film is barely competent, revealing its TV-movie roots in uncertain directorial guidance, technical flubs, [and] a patchwork script."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(2008) |
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"From a technical standpoint, Smart People is incredibly lacking"
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(1962) |
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"Its politics are abhorrent to me, but my god, it's such a slick, well-crafted thriller ... that I can't hate it"
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1945) |
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"A middle-of-the-pack entry in the series."
[movie review] |
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Goatdog's Movies |
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 0.5/5 |
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(2007) |
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"This film's a minor cinematic crime entirely unworthy of my rhymes."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1934) |
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"Its somewhat unlikely [Best Picture] nomination is neither an embarrassment to the Oscars ... nor a strong credit to the judgment of the Academy."
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(1980) |
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"The "scary little kid" subgenre has never been scarier or more nihilistic."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(1928) |
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"A fair-to-middlin' example of that transitional hybrid, the part-talkie."
[movie review] |
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Goatdog's Movies |
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 4.5/5 |
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(2008) |
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"One of the most exciting and frightening sci-fi/horror films of the last decade."
[movie review] |
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Goatdog's Movies |
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 3.5/5 |
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(1968) |
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"[Streisand gives] a natural, unforced performance, easily one of the three or four best Best Actresses in Oscar history."
[movie review] |
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Goatdog's Movies |
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 4.5/5 |
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(2007) |
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"A shockingly assured directorial vision."
[movie review] |
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Goatdog's Movies |
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 2/5 |
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(2007) |
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"Deus ex machina ... is the only driving force."
[movie review] |
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Goatdog's Movies |
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 2/5 |
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(2007) |
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"Concept: excellent. Setup: intriguing. Execution: well... too many interesting ideas bungled."
[movie review] |
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Goatdog's Movies |
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 3.5/5 |
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(2007) |
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"Much of the dialogue sparkles with wit and humanity."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(2007) |
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"Defined by grand cinematic gestures that go nowhere."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(2007) |
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"Enchanting for most of its running time."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1931) |
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"Aside from Cooper's performance, the best thing about the film is its grasp on what it was like to be a kid."
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(1925) |
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"The film is remarkable for several reasons, foremost among them the awe-inspiring spectacle of greed in action that is the land rush."
[movie review] |
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Goatdog's Movies |
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 2/5 |
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(2007) |
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"The film doesn't know or care who Anwar El-Ibrahimi is outside of how his plight affects the white folks connected with him."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(2007) |
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"The dull, obvious ending doesn't quite erase the successes of the first half, but it's a close one."
[movie review] |
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Goatdog's Movies |
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 4/5 |
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(2007) |
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"Literate and convincing."
[movie review] |
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Goatdog's Movies |
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 5/5 |
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(2007) |
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"An embodiment of what the digital revolution was supposed to provide but so often doesn't."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(2007) |
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"A little like a study of the American Civil War that discusses the Confederacy without mentioning the Union."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(1932) |
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"Defined by radical and often unprompted changes in characters' behavior."
[movie review] |
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Goatdog's Movies |
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 3/5 |
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(1929) |
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"What started out as a very good film ends up fair-to-middling because the actors aren't up to delivering dialogue that in turn doesn't measure up."
[movie review] |
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Goatdog's Movies |
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 2/5 |
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(2007) |
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"An ugly, nasty, self-deluding piece of sadistic trash."
[movie review] |
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Goatdog's Movies |
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 5/5 |
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(1968) |
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"There's literally not another film in the world like it."
[movie review] |
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Goatdog's Movies |
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 1.5/5 |
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(2007) |
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"Even the funny bits are ruined by overemphasis."
[movie review] |
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Goatdog's Movies |
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 2.5/5 |
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(1930) |
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"A historical relic flawed by miscasting but almost redeemed by an unjustly misunderstood ending."
[movie review] |
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Goatdog's Movies |
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 4.5/5 |
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(1987) |
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"One of the best sci-fi/action films ever made."
[movie review] |
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Goatdog's Movies |
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