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Sources
• Goatdog's Movies
• Movie-Vault.com
Total Reviews: 941
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.

NEWS & FEATURES
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2/5
     (1955)      Click here to see the review! [movie review]      Goatdog's Movies   
  
2.5/5
     (1958)      Click here to see the review! [movie review]      Goatdog's Movies   
  
4/5
     (2007)      Click here to see the review! [movie review]      Goatdog's Movies   
  
3.5/5
     (1927)      "Not exactly a horror film, at least by any strict definition. But it is a great deal of fun." [movie review]      Goatdog's Movies   
  
2.5/5
     (2008)      "Serves as proof that Allen's heart isn't in it anymore." [movie review]      Goatdog's Movies   
  
4/5
     (1933)      "Surprising for something so mean-spirited to have come so early in the Dream Factory's saga of self-loathing, and even more surprising because it seems so heartfelt." [movie review]      Goatdog's Movies   
  
4/5
     (1919)      "One of the screen's greatest symbioses of performance and photography." [movie review]      Goatdog's Movies   
  
3.5/5
     (1919)      "It's generally a smooth, arch, enjoyable romp." [movie review]      Goatdog's Movies   
  
3.5/5
     (1921)      "Wears its Expressionist heritage in a fascinating way." [movie review]      Goatdog's Movies   
  
2.5/5
     (1905/1912)      "But aside from the historical value ... there's not a lot here to keep one's attention" [movie review]      Goatdog's Movies   
  
3/5
     (1925)      "A valuable, moving portrait of an immigrant community that tends to be ignored by mainstream films" [movie review]      Goatdog's Movies   
  
2.5/5
     (2008)      "A feature-length elaboration on its own hilarious trailer." [movie review]      Goatdog's Movies   
  
3/5
     (1919-1920)      "[About I Don't Want...]: How long would it be before a mainstream Hollywood movie showed the same worldliness about sex." [movie review]      Goatdog's Movies   
  
3/5
     (1927)      "The most interesting thing about the film is the elaborate way it interacts with and stands outside the cinema." [movie review]      Goatdog's Movies   
  
3.5/5
     (1924)      "Has so much momentum and inarguable internal logic that it drags you along, laughing helplessly." [movie review]      Goatdog's Movies   
  
5/5
     (1928)      "The film denies us the safe distance between viewer and viewed, and it does this so effectively that its horrors are occurring all around us." [movie review]      Goatdog's Movies   
  
4.5/5
     (1959)      "Deceptively simple, heartfelt." [movie review]      Goatdog's Movies   
  
4/5
     (1921)      "[About After Death] Bauer's filmmaking skills exploded in the two years after his first feature." [movie review]      Goatdog's Movies   
  
3/5
     (1973)      "The filmmakers [realize] that they're working within a genre with firmly established conventions are but able to carve out a little niche for themselves." [movie review]      Goatdog's Movies   
  
3/5
     (2008)      "Overall, it's an enjoyable sequel, although not up to the admittedly high--heh--standards of the first installment." [movie review]      Goatdog's Movies   
  
2.5/5
     (1983)      "The film is barely competent, revealing its TV-movie roots in uncertain directorial guidance, technical flubs, [and] a patchwork script." [movie review]      Goatdog's Movies   
  
2.5/5
     (2008)      "From a technical standpoint, Smart People is incredibly lacking" [movie review]      Goatdog's Movies   
  
4/5
     (1962)      "Its politics are abhorrent to me, but my god, it's such a slick, well-crafted thriller ... that I can't hate it" [movie review]      Goatdog's Movies   
  
3/5
     (1945)      "A middle-of-the-pack entry in the series." [movie review]      Goatdog's Movies   
  
0.5/5
     (2007)      "This film's a minor cinematic crime entirely unworthy of my rhymes." [movie review]      Goatdog's Movies   
  
3/5
     (1934)      "Its somewhat unlikely [Best Picture] nomination is neither an embarrassment to the Oscars ... nor a strong credit to the judgment of the Academy." [movie review]      Goatdog's Movies   
  
4/5
     (1980)      "The "scary little kid" subgenre has never been scarier or more nihilistic." [movie review]      Goatdog's Movies   
  
2.5/5
     (1928)      "A fair-to-middlin' example of that transitional hybrid, the part-talkie." [movie review]      Goatdog's Movies   
  
4.5/5
     (2008)      "One of the most exciting and frightening sci-fi/horror films of the last decade." [movie review]      Goatdog's Movies   
  
3.5/5
     (1968)      "[Streisand gives] a natural, unforced performance, easily one of the three or four best Best Actresses in Oscar history." [movie review]      Goatdog's Movies   
  
4.5/5
     (2007)      "A shockingly assured directorial vision." [movie review]      Goatdog's Movies   
  
2/5
     (2007)      "Deus ex machina ... is the only driving force." [movie review]      Goatdog's Movies   
  
2/5
     (2007)      "Concept: excellent. Setup: intriguing. Execution: well... too many interesting ideas bungled." [movie review]      Goatdog's Movies   
  
3.5/5
     (2007)      "Much of the dialogue sparkles with wit and humanity." [movie review]      Goatdog's Movies   
  
2.5/5
     (2007)      "Defined by grand cinematic gestures that go nowhere." [movie review]      Goatdog's Movies   
  
3/5
     (2007)      "Enchanting for most of its running time." [movie review]      Goatdog's Movies   
  
3/5
     (1931)      "Aside from Cooper's performance, the best thing about the film is its grasp on what it was like to be a kid." [movie review]      Goatdog's Movies   
  
4/5
     (1925)      "The film is remarkable for several reasons, foremost among them the awe-inspiring spectacle of greed in action that is the land rush." [movie review]      Goatdog's Movies   
  
2/5
     (2007)      "The film doesn't know or care who Anwar El-Ibrahimi is outside of how his plight affects the white folks connected with him." [movie review]      Goatdog's Movies   
  
3/5
     (2007)      "The dull, obvious ending doesn't quite erase the successes of the first half, but it's a close one." [movie review]      Goatdog's Movies   
  
4/5
     (2007)      "Literate and convincing." [movie review]      Goatdog's Movies   
  
5/5
     (2007)      "An embodiment of what the digital revolution was supposed to provide but so often doesn't." [movie review]      Goatdog's Movies   
  
2.5/5
     (2007)      "A little like a study of the American Civil War that discusses the Confederacy without mentioning the Union." [movie review]      Goatdog's Movies   
  
2.5/5
     (1932)      "Defined by radical and often unprompted changes in characters' behavior." [movie review]      Goatdog's Movies   
  
3/5
     (1929)      "What started out as a very good film ends up fair-to-middling because the actors aren't up to delivering dialogue that in turn doesn't measure up." [movie review]      Goatdog's Movies   
  
2/5
     (2007)      "An ugly, nasty, self-deluding piece of sadistic trash." [movie review]      Goatdog's Movies   
  
5/5
     (1968)      "There's literally not another film in the world like it." [movie review]      Goatdog's Movies   
  
1.5/5
     (2007)      "Even the funny bits are ruined by overemphasis." [movie review]      Goatdog's Movies   
  
2.5/5
     (1930)      "A historical relic flawed by miscasting but almost redeemed by an unjustly misunderstood ending." [movie review]      Goatdog's Movies   
  
4.5/5
     (1987)      "One of the best sci-fi/action films ever made." [movie review]      Goatdog's Movies   
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